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Feature Film Editing: Lo Más Importante PDF Print E-mail
Written by Jordi J. Recort   
Thursday, 20 November 2008
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Now I'm working on the editing of the Feature Film "Lo Más Importante de la Vida es No Haber Muerto".
The Shooting has just finished today and I will be involved with this until at least Summer 2009. This is one of the most exciting projects that I have been involved in many time!

Lo Más Importante de la Vida es No Haber Muerto ” is a tragic comedy that grotesquely tells the story of a man who at the age of 65 suddenly experiences the collapse of the essential aspects of his world, and discovers he has been living a lie.

A film by OLPAMAdiversion Films
Produced by Saskia Vischer

 

“Lo Más Importante de la Vida es No Haber Muerto” is a humanistic tale of betrayal and forgiveness, set against a musical background and the Franco era in Spain, a period of political deceit and distortion of reality.

 

Workflow

TabanoThis movie it's going to be edit and post on the "old-fashioned" way.. Best Ligth Telecine to DV.  Synchro manually the audio and the video then I will edit the DV stuff, export the EDL and back at the Lab in Switzerland they will scan all the film to DPX. The DPX files will be Graded in Geneva (Freestudios ) and the Post sequences/shoots will be sent back to me to do the post and effects.

I will edit in Final Cut Pro and do the Post in Shake, the grading will be done in Matrix; obviously some Photoshop and Motion will be also involved, and maybe some After Effects for the main title credits.

I did my best to convince the directors to work in a completely DigitalCinema workflow: shoot with RED ONE at 4K, edit in 2K with Final Cut, do the post in Shake and grading in Matrix, but they want to work with chemical, so I didn't succeed!

My plan is to update the work, here and on the Blog of the movie. If you're on Facebook, there is also a "lo mas importante de la vida es no haber muerto group "  that has plenty of behind the scenes photos uploaded by the crew.

 

Directors
Pablo Martín (acting)
Marc Recuenco (art)
Olivier Pictet (image)

Photography
Pietro Zuercher

Sound
Marianne Roussy

Montage
Jordi J. Recort

Producer
Saskia Visher

 

 

 
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